By Lasisi Olagunju Ph.D
“We started 2024 eleven and a half months ago bitterly divided over what was truly evil and what was godly. We are ending the year divided still over who is angel and who is Satan. In the next two weeks, it is almost certain that we will roll over into the new year the raging Dele Farotimi vs Afe Babalola war of ‘justice’. There is also the tug of war over whether the tax reform bills potentially threaten or benefit the poor. In those two cases, we will be made to state who our “enemy” is. Unfolding also is the Kemi Badenoch/Yoruba vs Kashim Shettima/ Northern Nigeria debate. In 2025, Ibsen’s ‘An Enemy of The People’ will be staged across the entirety of our court and political systems. May God keep us alive – and well.”
“The water is poisoned! The whole of the water system is tainted and absolutely unusable for its purpose,” Thomas Stockmann, medical doctor, accomplished scientist, informs the people around him. He is employed to look after the health of the people and the public baths, the mainstay of his town’s economy. It is in the course of that job that he makes a scientific discovery that the baths are dangerously polluted, and that they spread typhoid. And he says so.
Dr. Thomas Stockmann is the protagonist in Henrik Ibsen’s 1882 play, ‘An Enemy of the People’. We were taught long ago that literature is a reflection of life. We were also taught that literature is the lamp that lights the way of life, past to present – and back to the past. We were taught that drama as a mirror shows us what life truly is. Life itself is a drama, a stage on which we all fret and strut until the light goes out on us. Ibsen’s Thomas Stockmann, public enemy number one, is used here in my celebration of the near end of a particularly dramatic year, our love for false gods and our stoning of the wrong Satan.
I have skimmed through Gabriel Fallon’s ‘Prophecy in the Theatre’ (1956), his quote on drama as a member of the human life – human thought and morality. I have scanned J.C. Kamerbeek’s ‘Prophecy and Tragedy’ (1965), his discussions on dramatic structure and tragic meaning. There is a sense in which the dramatic can be prophetic.
Back to ‘An Enemy of the People’. The drama is in the plot. The setting is a coastal town in southern Norway. Authorities of the town get a hint of Dr Stockmann’s findings on their polluted water. Alarmed and agitated, they meet with him for negotiations. They ask their medical doctor to keep quiet, to shut up. The public must not hear what he is saying. It will create a panic in the town. It will hurt the town and its economy; tourists will stop coming, investors will lose money.
But this doctor is a loud-mouthed stubborn dude. He insists on speaking ‘the truth’. He thinks he has a moral obligation to protect the community from avoidable diseases, from even death.
On more than one occasion, Doctor tells the people that previous unexplained deaths are due to the poisoned water: “Last year, there were people who died from a disease that spread through the town, and I am certain that the cause of it was the poisoned water. I told you then, and I tell you now—this water will kill us all.” His decision to talk, he is certain, is the right course of action. “It is my duty to lay bare the facts in the matter. Every conscientious man must support me in this!”
But the system supports only the “moderate.” Dr Stockmann’s own brother, Peter Stockmann, is the mayor of the town. And it is this brother that openly leads the opposition against this doctor, against his discovery of the pollution and against his audacity to tell.
When the state is on your case, it doesn’t rain; it pours. The press soon shuts out our doctor. His editor-friends renege on their promise to publish his findings. They claim they can’t offend their funders. The stubborn medical doctor turns to himself. He resolves to speak directly to the people “in a way that they shall understand” and “drive all the wolves out of the country.” There is a town hall meeting where Stockmann proposes to officially announce his findings: “I am telling you the truth! The entire water system is tainted. People are going to die from this. We must close the baths and have them disinfected. We must stop this typhoid epidemic before it spreads further.”
His brother, the Mayor, hijacks the town hall meeting from him. The Mayor addresses the people. He tells them that his brother’s proposal is injurious to everyone in the town. The repairs he proposes will cost ratepayers “an unnecessary expenditure of some thousand pounds.” From the crowd comes a voice suggesting that the doctor be officially declared a public enemy.
Dr Stockmann watches as the townspeople he is fighting for respond with shouts:
“Yes! Yes! He’s an enemy of the people!”
“He hates his country! He hates his own people!”
“We can’t have someone like him in our town!”
Then a motion follows from someone our medical doctor trusts as his key supporter:
“Dr. Stockmann has shown himself to be an enemy of the people. Therefore, I propose that this gathering officially declares him an enemy of the people.” The vote is by ballot; everyone votes. Dr Stockmann gets one vote – the lone vote comes from a drunk attendee, the village drunkard.
Our man is defeated but the crowd is not satisfied with what they have done to their doctor.
“Let us go and break his windows! Enemy of the people!” The whole crowd yells.
The consequences are grave. He is dismissed from his job. His daughter loses her teaching job; his landlord ejects him; his little boys suffer bullying in school and are told to excuse classes until further notice. Everyone who should help him avoids him. They say they dare not annoy “the majority” and their “public opinion.”
The play ends without a reprieve for “the enemy of the people.” But the man insists that he is the strongest man and that “the strongest man in the world is he who stands most alone.” I think he is naive. That is not what the world is. The one who stands alone stays alone and lonely and without power. Power resides where people stand. The people stand where power is. That explains, perhaps, why Donald Trump is Time Magazine’s ‘Person of the Year’.
We started 2024 eleven and a half months ago bitterly divided over what was truly evil and what was godly. We are ending the year divided still over who is angel and who is Satan. In the next two weeks, it is almost certain that we will roll over into the new year the raging Dele Farotimi vs Afe Babalola war of ‘justice’. There is also the tug of war over whether the tax reform bills potentially threaten or benefit the poor. In those two cases, we will be made to state who our “enemy” is. Unfolding also is the Kemi Badenoch/Yoruba vs Kashim Shettima/ Northern Nigeria debate. In 2025, Ibsen’s ‘An Enemy of The People’ will be staged across the entirety of our court and political systems. May God keep us alive – and well.
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